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两张彩票
多里安·波古策,德拉戈什·布库尔,亚历山德鲁-维克多·内姆特亚努,诺拉·库普辛库,安迪·瓦斯卢亚努,尤安娜·弗洛伦蒂娜·迪米特流,米尔卡·巴努,伊莱亚斯·费金,艾丽莎·卡林,伊琳娜·诺阿特斯,亚历山德鲁·帕帕多波尔,谢尔班·帕夫卢是由保罗·内戈埃斯库编剧执导的一部罗马尼亚喜剧片，主要讲述了一个小城镇的三名男子寻找遗失的彩票的过程中发生的有趣故事。迪奈勒是这个城镇的一名修车工人，幸运之神似乎从未光顾过他，因为他的客户总是对他的活计不满意、他的工资少到连酒都喝不起、就连他的妻子都因此离开了他。然而，有一天迪奈勒买彩票，意外中了大奖，这让他重新燃起了生活的希望。但他似乎高兴过了头，导致他丢失了那张彩票。于是迪奈勒和他的朋友思莱、帕皮里优一起踏上了寻找彩票的旅程。
大明嫔妃之杀机
朱一龙,何杜娟,关慧卿,陈思璇一名刺客手持木棍闯进太子府，行刺未果，却散布谣言，说自己握有太子谋反的证据。三皇子声称要助太子调查案情，进驻太子府，实际却命锦衣卫将太子府团团围住，任何人不得出入。太子明白自己又一次陷入郑贵妃精心布下的圈套中，面对渐渐显露的杀机，他无从化解……而此时，王恭妃却执意要将兰心梅儿贬黜回家，任她如何哭泣哀求也不愿收回成命。王恭妃究竟是在为太子雪上加霜，还是另有隐衷？
假面复仇
Marco Giallini,Edoardo Leo,Catrinel Marlon骗子离开大卫破产,失业& -他的女朋友。所以他开始找到骗子但是复仇并不是在他的脑海中。
手遮天
刘峰超,袁福福,淳于珊珊底层捕快薛不疑（刘峰超 饰）因不谙世故遭同僚排挤，憋屈十年。一桩赈灾银盗窃案他沦为替罪羊。绝境中，他受老师黄士宁（淳于珊珊 饰）搭救，与师弟李震（袁福福 饰）再度合作，然而钱外有钱官外有官，他被迫成为高官手中的“犬牙”……在这黑暗世道，他是会选择做一只听话的鹰犬，还是挣脱这巨 手成为啄天之鹰？
杨非与高俐
刘道玄,彭必瑶,潘国栋,刘占奎,陈纬,高果高俐醉酒被强哥等人绑架索赎金一亿，杨非因父需百万手术费赶路时车被同一伙劫匪抢走。二人相遇后，杨非助高俐斗绑匪，发现高俐与曾因治妻病抵押房产、借高利贷却致家庭破裂的父亲有矛盾。最终高俐获救，与父和解，杨非凑齐手术费，二人相恋。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster