借钱
新婚夫妇娜妮和俊熙离开闷热的汉城，尝试在乡下开一家咖啡馆。在这对夫妻尝试改变的背后，他们有一些无法形容的担忧，因此他们是无性的人，他们使用自己的房间是因为他们的性别不相容。不管丈夫为建立关系所做的努力，她的妻子娜妮（Na-ni）一直与她的性伴侣Dal-ho发生婚外恋，Dal-ho陷入了一场车祸，她从未想过在户外享受性爱并要求进行大额和解。娜妮（Na-ni）结婚前就一直依靠丈夫的经济资源，跪拜受害人张秀（Shang-soo）并求饶，但农夫张秀（Shang-soo）坚持挖掘自己的弱点，要求羞辱人际关系。虽然娜妮（Na-ni）因创建乡村而陷入困境，但她的丈夫Joon-seo一直抱怨自己最近的妻子娜妮（Na-ni），她也开始对她独特的性取向睁大眼睛由于年轻，挑衅的兼职清雅人的魅力。 Chang-soo和Cheong-ah，挤压这些夫妇的农民以及那些像网一样纠缠的人们的命运是什么？
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剧情简介
新婚夫妇娜妮和俊熙离开闷热的汉城，尝试在乡下开一家咖啡馆。在这对夫妻尝试改变的背后，他们有一些无法形容的担忧，因此他们是无性的人，他们使用自己的房间是因为他们的性别不相容。不管丈夫为建立关系所做的努力，她的妻子娜妮（Na-ni）一直与她的性伴侣Dal-ho发生婚外恋，Dal-ho陷入了一场车祸，她从未想过在户外享受性爱并要求进行大额和解。娜妮（Na-ni）结婚前就一直依靠丈夫的经济资源，跪拜受害人张秀（Shang-soo）并求饶，但农夫张秀（Shang-soo）坚持挖掘自己的弱点，要求羞辱人际关系。虽然娜妮（Na-ni）因创建乡村而陷入困境，但她的丈夫Joon-seo一直抱怨自己最近的妻子娜妮（Na-ni），她也开始对她独特的性取向睁大眼睛由于年轻，挑衅的兼职清雅人的魅力。 Chang-soo和Cheong-ah，挤压这些夫妇的农民以及那些像网一样纠缠的人们的命运是什么？
同类好片
利欲两心
马修·麦康纳,阿尔·帕西诺,蕾妮·罗素,阿曼德·阿山特,杰里米·皮文,杰米·金,凯文·查普曼双生2022
泰莉莎·帕尔墨,史蒂芬·克里,芭芭拉·马滕,Tristan Ruggeri,Ergo Küppas苍蝇之母
约翰·亚当斯,露露·亚当斯,泽尔达·亚当斯,托碧·波塞尔近战
杜夫·龙格尔,吉娜·梅,迈克尔·帕尔,巴沙尔·拉海尔,詹姆斯·查尔克超级仓鼠3：松鼠奇谋
冷光中
麦卡·梦露,艾伦·霍科,特洛伊·科特苏尔,杰西·厄文,海伦·亨特,帕特里克·萨邦圭,戴维·哈索姆,瓦罗娜·塞茨瓦埃洛,诺亚·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麦克马洪,Yannick Lemos,Steven Miller,Barry Tuff,奥斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait导演精选
村民总动员
哈莉娜因为经济困难被迫取消了婚礼，于是她的亲友们决心制定一个疯狂的计划来吸引游客，增加收入。
安身何处
Joseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.