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克和茱莉娅因为摄影在网上相识,两人分享彼此的摄影作品,并且尝试在网上交往。在朋友的怂恿下,尼克主动约茱莉娅见面,试图开始真正交往,不料见面后才发现,网上的茱莉娅竟然是自己的前妻,因为事业观不合在几年前离婚了。简单交谈了几句后两人为对方安排了一场约会,但都因为性格原因导致约会无疾而终,实则是因为彼此对对方还都保留着好感。尼克邀请茱莉娅参加朋友家举办的晚会,朋友们都认为他们非常般配,他们也有意重新开始。在这关键时刻,茱莉娅的前男友出现,试图挽回茱莉娅,而尼克的前女友也又一次联系了尼克,他们碍于面子,将复合的事情搁浅在一旁。茱莉娅和尼克各自与前任相处了一段时间后发现还是忘不了对方,在情人节的晚上,他们终于放下心结,重新走到一起。
星球大战:曼达洛人与古古
佩德罗·帕斯卡,杰瑞米·艾伦·怀特,西格妮·韦弗,史蒂夫·布卢姆,马丁·斯科塞斯,赫米基·马德拉,马修·维利希,乔尼·科因,迈尔斯·哈姆帕斯,伦敦·斯塔布尔菲尔德,克里斯托弗·艾伦·罗宾逊,波西亚·D·哈里斯,埃文·沙夫兰在秩序动荡的银河系,“最强奶爸”丁·贾伦与“银河系萌娃”古古这对非血缘父子并肩登场。冷峻坚毅的赏金猎人丁·贾伦身披贝斯卡钢甲,凭悍勇战力屡屡从围堵中突围;看似弱小的原力学徒古古,则总能在关键时刻爆发出惊人战力,为搭档化解危机。他们一同执行关乎银河命运的绝密任务,直面远比以往更为凶险的挑战与博弈。
疯狂动物城2
金妮弗·古德温,杰森·贝特曼,关继威,福琼·费姆斯特,安迪·萨姆伯格,大卫·斯特雷泽恩,伊德瑞斯·艾尔巴,夏奇拉,帕特里克·沃伯顿,昆塔·布伦森,内特·托伦斯,邦妮·亨特,唐·雷克,麦考利·卡尔金,布兰达·宋,莫里斯·拉马奇,莉亚·莱瑟姆,雷蒙德·S·佩尔西,珍妮·斯蕾特,丹尼·特雷霍,马克·史密斯,汤米·利斯特,让·雷诺,塞西莉·斯特朗,朱恩·斯奎布,米歇尔·戈麦兹,戴维·法恩,约翰·雷吉扎莫,汤米·钟,艾伦·图代克,迈克尔·J·福克斯,乔希·达拉斯,彼得·曼斯布里奇,伊薇特·尼科尔·布朗,艾德·希兰,一个神秘爬行动物的到来,把温馨的动物城搅动得天翻地覆。面对全新的城市危机,警官兔朱迪(金妮弗·古德温 Ginnifer Goodwin 配音)与狐尼克(杰森·贝特曼 Jason Bateman 配音)将继续携手为保卫动物城而奔波。在追捕行动中,这对老搭档不仅要揭开新角色的神秘面纱,还要前往被迷雾笼罩的新领域,探索未知的地下黑市,一场疯狂动物城的全新冒险即将展开……
河童之湄澜怪谈
庞玉龙,黄柏钧,张沙沙,郑晓民,何涌生生物化学专家明翰受警局顾问沃克教授推荐,协助警方调查不明水生物离奇杀人案件。开始众人都深信是鬼神之说出来害人,明瀚不以为然坚信自己的判断,随着案件的侦破,明翰得知凶手就是他寻找多年的父亲明智,当年父亲和沃克教授一起秘密实验时,不幸意外感染,变异成了今天肆意杀人的河童。 最终真相大白原来这一切都是沃克教授所为,为了利益他背着明智进行非法人体实验,当明智不幸感染时,他不仅没有医治明智还把他当成了意外的惊喜,对他进行了人体试验,导致明翰的母亲无人照顾病死家中多日。最终父子二人联手协助警方摧毁了这个犯罪组织。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼经 2021特别篇
桥本环奈,恒松祐里,山中崇,与田祐希