家庭老师的姐姐家庭教師のお姉様
生徒にHな指導をする女子大生や帰国子女の女家庭教師の姿を描いたエロスOV。第1話は、恋人がいながらも浪人生の生徒に惹かれる家庭教師・奈美が登場艾旦影视
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剧情简介
生徒にHな指導をする女子大生や帰国子女の女家庭教師の姿を描いたエロスOV。第1話は、恋人がいながらも浪人生の生徒に惹かれる家庭教師・奈美が登場艾旦影视
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格伦·鲍威尔,玛格丽特·库里,杰西卡·亨维克,比尔·坎普,扎克·伍兹,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗兰切威勒,拉夫·洛,史蒂夫·马克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅伦·迈克尔,内尔·威廉姆斯,乔·瓦兹,马丁·门罗,比安卡·阿玛托,罗伯特·霍布斯,伊桑·桑德斯铁甲无敌玛利亚
梁朝伟,叶倩文,徐克,林正英,岑建勋,陈国新,林国斌,秦沛镜中人
英迪娅·埃斯利,詹森·艾萨克,佩内洛普·米契尔,米拉·索维诺,哈里森·吉尔伯特森,克里斯汀·哈里斯,亚当·哈蒂格,康纳·彼得森,辛蒂·迈斯科桑格豪森的渴望
克拉拉·施温宁,马瑞尔·凯沙瓦茨,亨丽埃特·肯夫里乌斯,若阿内斯·贝尔茨,安德里亚斯·比特尔,安德烈亚斯·德勒,梅拉·芬克,帕特里克·弗兰扎克,苏珊·弗洛莫,杰里米·加利亚纳,安东·戈诺波尔斯基,莱昂尼·哈莫,迈克尔·哈斯通,玛琳·豪瑟,弗兰基斯卡·海纳尔,霍斯特·海尼,克里斯托弗·卡尼,阿里桑德拉·纳普,布索里·列,李景泽圣传
伊倉一寿,速水奖,山口胜平,榊原良子她的重生
玛丽安娜·芳塔娜,乔瓦尼·安扎尔多,Demetra Avincola,Dalila De Marco,洛伦索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese人气佳作
英雄三元里
严屹宽,刘秋实,孙昊,闻雨,王光辉,孙蛟龙,陶奕希,方洋飞,文东俊,李圣雄,王禹森,吕文军,陆丰,爱多,马铁摩旷野
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中山优马,岛崎遥香,大野拓朗,高桥玛莉润,安井谦太郎,大和田伸也导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
古曼童
A black magic baby outdy com that is believed to bring luck to its owner and also harm if not properly cared for
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阿彪继承了母亲的Kopitiam咖啡馆,并与妻子百合子共同经营。这家店曾经生意兴隆,但阿彪的管理方式和非传统的营销策略却引发了意外危机,使Kopitiam陷入前所未有的困境。在与一位知名网红发生冲突后,Kopitiam卷入了媒体风波,导致生意急剧下滑。就在阿彪和百合子拼命努力扭转局势时,他们又面临着被收回店铺的威胁。他们能否成功度过这场危机,保护自己的家族企业?在逆境中,他们的婚姻和Kopitiam咖啡馆又将何去何从?