女演员的情事
剧作家大森被委托编写了以女演员高阶丽子为主演的低预算录像电影的剧本,她的模特既不会演戏也不会唱艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。 他虽然年轻,但是是着名的编剧,不管是电影剧还是其他什么有趣的作品,现在工作大幅减少,直到写低预算录像的剧本为止。 大森作为资料被委托主的制片人中村看到,想起25年前去世的姐姐、友子。 友子在大学生的时候被同一所大学的电影研究部的学生团体强奸杀害了。 大森接触到了提供资料的自称是高山的男人,听着成为职员的他的话,自己也产生了兴趣。回过神来,大森竟然写着强奸、拷问、小苏打。 然后,在和高山亲近的过程中,发现自己对姐姐·友子有性感兴趣,并且发现其兴奋与杀害的结果有关,高阶丽子向友子坦白自己有两个瓜子,对丽子有性感兴趣……
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剧情简介
剧作家大森被委托编写了以女演员高阶丽子为主演的低预算录像电影的剧本,她的模特既不会演戏也不会唱艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。 他虽然年轻,但是是着名的编剧,不管是电影剧还是其他什么有趣的作品,现在工作大幅减少,直到写低预算录像的剧本为止。 大森作为资料被委托主的制片人中村看到,想起25年前去世的姐姐、友子。 友子在大学生的时候被同一所大学的电影研究部的学生团体强奸杀害了。 大森接触到了提供资料的自称是高山的男人,听着成为职员的他的话,自己也产生了兴趣。回过神来,大森竟然写着强奸、拷问、小苏打。 然后,在和高山亲近的过程中,发现自己对姐姐·友子有性感兴趣,并且发现其兴奋与杀害的结果有关,高阶丽子向友子坦白自己有两个瓜子,对丽子有性感兴趣……
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Sore从未来穿越回过去,只为改写她丈夫Jonathan的命运。但命运从不轻易让步——当过去、现在与未来交织,她与Jonathan的爱情也陷入无法逃脱的时间迷宫。
隔壁的外星人
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.