あんじゅの日記 香月杏珠
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不离不弃2026
张芷溪,初俊辰,沈晓海,黄俊鹏,杨青倩电影主要讲述了睿智沉稳的徐文轩、外表文静秀美但性格反叛火爆的白若雪，与伪君子海石在游戏世界相遇相识后，在现实世界里产生纠葛的爱情故事。
致命塔罗
阿凡提卡·万达纳普,雅各布·巴特朗,欧文·弗热瑞,哈里特·斯莱特,亨伯利·冈萨雷斯,拉森·汤普森,阿丹·布拉德利,沃尔夫冈·诺沃格拉茨,斯塔萨·尼科利奇,詹姆斯·斯旺顿,艾伦·韦尔斯,桑西卡·米拉诺维奇,乔丝·卡特一群青年肆无忌惮地违反了塔罗牌的规则，释放了牌中的可怕恶灵，他们一个接一个地面对命运的审判，使得最终陷入了一场与死亡的赛跑。
万圣节传说
波波·斯图尔特,格蕾丝·菲普斯,奥斯丁·法尔克,阿德里安娜·巴比欧,凯尔·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格伦伯格,林·沙烨,约翰·兰迪斯,何塞·巴勃罗·坎蒂略,芭芭拉·克兰普顿,乔·丹特,亚当·格林,罗伯特·拉斯勒,诺阿·西甘,帕特·希利,斯图尔特·戈登,米克·加里斯,拉斐尔·乔丹,宝拉雅娜·麦金托什,詹姆斯·杜瓦尔,艾丽克斯·埃索,克里斯蒂娜·克莱伯,卡罗琳·威廉姆斯,达纳·古尔德1）名叫蒂米的男童怨灵会在万圣节当晚四处寻找糖果，甚至会为此挖开他人的肚子；2）小男孩被逼迫去一户人家恶作剧，结果被长着角的男主人抓住，两人一起上街恶搞乃至戕害狂欢的人群；3）某户人家正坐在客厅看电影，这时有个打扮成巫婆的女孩敲门，却用刀捅了男主人，恐怖的万圣节变成灾难，当然他们正为自己的所作所为付出代价；4）二男一女不良少年团伙在万圣节之夜四处欺负他人，这时打扮成魔鬼的少年出面阻止他们，反而被三人抓住。5）老妇人和亲朋们讲述了玛丽•贝利的传说，那是一个不愿意被人看到的女人的怨灵，如果被她看到可就惨了；6）无法承受丧女之痛的女人在万圣节之夜变成了心理失衡的恶魔；7）中年人的对面，搬来几个重口味的金属青年，夜幕降临，他和重金属们发生了冲突；8）密林深处，失魂落魄的少女被无情的杀人狂追逐，突然怪事发生；9）两个劫匪企图在万圣节绑架某富豪的孩子，怎奈请神容易送神难；10）男人好不容易雕了一个南瓜头，结果南瓜头突然活了过来，大闹街头。
判决2025
里罗·得万托,礼萨·拉哈迪安Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.
金箍上的裂痕
【内容由AI生成】画手林默在AI霸权时代陷入创作焦虑 。西游世界中，真大圣凭借金箍裂痕觉醒 ，单枪匹马击碎黑六耳幻化的巨型机械妖猴 。随着妖猴崩解，被囚禁的数据化作千万个神采各异的大圣众生相。现实中，林默拒绝AI优化并关上电脑，回归初心。他在爷爷墓前及街头孩童挥舞廉价金箍棒的欢笑中领悟到，AI虽能模拟形态，却无法替代人在不完美中坚守本心的“选择”。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster