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致命塔罗
阿凡提卡·万达纳普,雅各布·巴特朗,欧文·弗热瑞,哈里特·斯莱特,亨伯利·冈萨雷斯,拉森·汤普森,阿丹·布拉德利,沃尔夫冈·诺沃格拉茨,斯塔萨·尼科利奇,詹姆斯·斯旺顿,艾伦·韦尔斯,桑西卡·米拉诺维奇,乔丝·卡特冷光中
麦卡·梦露,艾伦·霍科,特洛伊·科特苏尔,杰西·厄文,海伦·亨特,帕特里克·萨邦圭,戴维·哈索姆,瓦罗娜·塞茨瓦埃洛,诺亚·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麦克马洪,Yannick Lemos,Steven Miller,Barry Tuff,奥斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait杀手算命师
莎拉·墨菲,乔纳森·斯托达德,Caina Summer Field,娜塔莉·丹尼尔斯,杰西卡·凯撒害虫2023
西奥·克里斯廷,索菲娅·勒萨弗尔,杰罗姆·尼尔,丽莎·尼亚科,费尼肯·欧菲尔德,Marie-Philomène Nga,马哈玛德·桑伽勒,阿卜杜拉·蒙迪,Ike Zacsongo,埃马纽埃尔·博纳米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·马拉瑟内,Aicha Ameddah战国奇谭妖刀传剧场版
户田惠子,井上和彦,若本规夫,矢尾一树,盐泽兼人,渡部猛祸如走丸
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隐藏杀手
凯尔·麦克拉克伦,迈克尔·诺里一个异形在美国流窜,为了得到它想要的,它杀掉所有挡它路的人,并且用他们的身体作为新的藏身之所,它不断追寻的是生命的能量,然而另一个借用了一个死去的FBI探员身体的异形对它紧追不舍,无数无辜的人们在这场追击中丧生
毛骨悚然撞鬼经 2022夏季特别篇
稻垣吾郎,神尾枫珠,山下美月,小野花梨,佐佐木明希,铃木优华,岩田刚典,梶原善,大友花恋,田中美佐子,千原靖史,高城蕾妮,百田夏菜子,玉井诗织,佐佐木彩夏
眨眼之间
凯特·麦克金农,戴维德·迪格斯,拉什达·琼斯,Jorge Vargas,塔娜亚·比蒂,斯凯沃克·休斯,Rhona Rees,Tatyana Rose Baptiste,Nox Watkins,Tyson Night,卢克·罗德里克,安德丽亚·邦,Diana Tsoy,Aria Kim,Yeji Kim,Cameron Roberts,Theodore Starr,卡琳·考诺娃,Gui Fontanezzi,Lydia Campbell影片通过跨越数千年、不同时空的三条故事线,交织出无形之中彼此呼应的科幻寓言。
童使
泷泽秀明,有冈大贵,门胁麦本作导演为清水崇,共演演员为有冈大贵和门脇麦。takki饰演能操纵孩子灵魂并对施虐大人下死亡诅咒的神秘男子。大贵饰演追寻真相的记者,门脇麦则饰演他的女朋友。该片定于6月17号日本上映。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster