グラドル名鑑2021配信版 あにお天湯
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
木乃伊2026
杰克·莱诺,莱娅·科斯塔,梅·卡拉美维,娜塔莉·格蕾斯,维罗尼卡·法尔孔,艾米丽·米切尔,哈亚特·卡米勒,比利·罗伊,希洛·莫利纳,梅·埃尔格蒂,迪恩·艾伦·威廉姆斯一个被埋藏的秘密，正准备被揭开。失踪多年的凯蒂突然回来，但回来的，真的还是原本的她吗？那些看似“好转”的变化，其实，是另一种腐败的开始。
包宝宝
丹尼尔·凯林,辛迪·劳画面开始，一双丰满的手灵巧地揉面、按记儿、擀皮儿、包包子。没过一会儿，一笼白白净净又馋人的包子就做得了。相貌平平的女主人推开厨房的窗户，短暂的歇息。稍后，包子蒸熟，女主人端着它来到餐桌前。此时，她的老公已经起床，正目不转睛地盯着电视的新闻。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一个包子，可刚一张嘴包子便大哭了起来。不知为何包子有了生命，而倍感孤独的女主人格外开心，于是将包宝宝当做自己的孩子抚养。小包子一天天长大，他起初和女主人分外亲近，但是他渐渐有了自己的个性，渴望独立，渴望远行……本片是《超人总动员2》的贴片短片，荣获奥斯卡电影金像奖最佳动画短片奖。
鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke故事讲述一个穷女孩去照顾她失明的富表姐，这个表姐尽管看不见，却可以与鬼魂交流。
月光里的男孩
久美江措,更旦,尕玛久美,尼玛颂宋,西然仁杰,尕玛文加,文秀求珍,达杰丁增,更却东周影片讲述作家扎西因童年时一个关于狗的“秘密”愧疚多年，直到多年后重返故乡才意外得知真相，与孩童穿越时光的生长痛。