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麦克西恩（米娅·高斯暂无内容Mia暂无内容Goth暂无内容饰）是一个做梦都想要出名的女孩，可现实是，她沉浸于毒品带来的幻觉和快感之中，并且即将出演一部由她的男友（马丁·亨德森暂无内容Martin暂无内容Henderson暂无内容饰）指导的色情片。为了拍摄，麦克西恩和男友、摄影RJ（欧文·坎贝尔暂无内容Owen暂无内容Campbell暂无内容饰）、场务洛林（珍娜·奥尔特加暂无内容Jenna暂无内容Ortega暂无内容饰），以及另外的一对主演杰克森（卡迪小子暂无内容Kid暂无内容Cudi暂无内容饰）、波比（布兰特妮·斯诺暂无内容Brittany暂无内容Snow暂无内容饰）驱车来到了一幢地处偏远的宅子处。
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与世隔绝
Davina Reeves,Maria AbramovaFour friends wanted to get away from it all for a birthday celebration in a remote country house, but when a mysterious injured man turns up on their doorstep telling tales of a city ravaged by a mysterious epidemic and the looters who have pursued him, the friends rally to help. As the night progresses, it becomes clear that all is not as it seems, plunging the friends into a battle for survival that challenges their deepest fears.
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.