剧情纵览
摄影师拍摄女模特，第一个女模特脱光光然后挂起来，结果摔死了。第二个女模特也是吊起来拍，没有摔死然后被男的掐死了，之后回忆和女朋友的XXOO。
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臻选佳作
急冻奇侠
元彪,元华,张曼玉,林聪,吴志雄,黄耀明 Anthony Wong Yiu,黎燕姗,徐锦江,元奎,王晶
故事开始于明朝，凤三（元华 饰）心肠歹毒，无恶不作，身为锦衣卫，同时又是凤三的师弟，方守正（元彪 饰）发誓要将凤三绳之于法。然而，凤三此人诡计多端，甚至想要偷取能够扭转时空的黑玉佛，借此逃脱法网，几番争斗之后，两人双双跌落山崖。 时光荏苒，转眼已是现代，考古队在雪地中挖掘出了凤三和方守正被冰封住的尸体，将两人运往美国研究，然而，途中一场意外却令两人死而复生。方守正于机缘巧合之下遇见了名为阿玉（张曼玉 饰）的不良少女，阴差阳错的成为了她的保镖，而凤三不改奸邪本性，加入了黑社会，继续为非作歹。当方守正得知凤三依旧作恶多端后，他决定继续自己未完成的使命。
诅咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
新年伊始 不合适也要有个限度！～不能认真聊聊吗？～
阿部贞夫,仲里依纱,矶村勇斗,吉田羊,河合优实,锦户亮,江口德子,袴田吉彦,小野武彦,坂元爱登,三宅弘城,八岛智人,中岛步,山本耕史,古田新太
2026年新年，渚（仲里依纱 饰）在咖啡店“SCANDAL”迎来意外访客——从昭和穿越而来的市郎（阿部隆史 饰）。借助井上（小野武彦 饰）研发的“时间隧道”，他们得以往返各个时代。市郎试图改变女儿纯子（河合优实 饰）与命运的相遇，又回到1995年地震前夕阻止悲剧，却引发新的涟漪。与此同时，渚卷入政治风波，支持的女性议员平纯子（江口德子 饰）在2036年竟将成为日本首位女首相。为了守护家人与未来，市郎踏上最后的时空冒险。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster