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愿大家拥有幸福
古川琴音,松大航也,桥本和雄本作は田舎に住む祖父母に会いに行く看護学生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自体を揺るがすような根源的な恐怖に直面する。
我的阳过阿公
柯一正,蔡明修,唐从圣,陈竹升,孔令元,葛丞,李宜儒,阮安妮疫情被迫「三代同堂」，面对即将被法拍的祖厝，一家人从形同陌路到大胆计划，潜入殡仪馆只为证明阿公不是阳性过世，借此赚取告别式礼金。
旁观者2025
陈坤,王砚辉,刘敏涛,容中尔甲,安泽豪,陈依莎,单禹豪,王劲松,陆玲,王雯那,姜颖函离家十六年的陈家辉（陈坤 饰）在得知父亲陈为民（王劲松 饰）病危后，重返故乡。但父亲未留下只言片语便匆匆离世。葬礼之后，陈家辉与哥哥陈家兴（王砚辉 饰）、姐姐陈家媛（刘敏涛 饰）在整理父亲遗物时，逐渐察觉父亲身上似乎隐藏着许多不为人知的秘密。带着困惑与心结，陈家辉开始探寻父亲生前的生活轨迹，试图拼凑出父亲真实的模样。在这个过程中，一段埋藏了16年的家庭秘密逐渐被揭开，而这个秘密的核心，正是家辉与父亲之间一生都未能解开的那个结。
换皮
瑞贝卡·福斯蒂,露西·阿伦,芭芭拉·克兰普顿,Sean Knopp,阿德南·马拉尔年轻漂亮的凯拉得了一种奇怪的疾病，她的皮肤开始老化，干裂和瓦解。当她发现她可以用别人的皮肤来替代自己的皮肤时，她必须做出选择，看着自己的躯体枯萎死亡，还是屈服于诱惑，不管代价如何。
异变者
绫野刚,成田凌,岸井雪乃,石井杏奈,内野圣阳一位无家可归的失忆男子接受一场实验性医学手术，术后醒来发现自己获得新的能力，可以看穿人们内心最深处的伤痛，真实和幻象之间的界线也因而模糊难辨。
魔法坏女巫
辛西娅·埃里沃,爱莉安娜·格兰德,杰夫·高布伦,杨紫琼,乔纳森·贝利,伊桑·斯莱特,玛丽莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,杨伯文,布朗温·詹姆斯,伊迪娜·门泽尔,克里斯汀·肯诺恩斯,基拉·塞特尔,莎伦·D·克拉克,科林·迈克尔·卡迈克尔,亚当·詹姆斯,爱丽丝·费恩,詹娜·博伊德,肖恩·普伦德加斯特,亚伦·张,Lexi Lancaster,Arlo Turner影片讲述了奥兹国两位女巫鲜为人知的成长故事。因绿色皮肤而备受误解的艾芙芭（辛西娅·埃里沃 Cynthia Erivo 饰）与光彩夺目、野心勃勃的格琳达（爱莉安娜·格兰德 Ariana Grande 饰）在西兹大学结识，性格迥异的二人却建立起了深厚的友谊。然而，随着与奥兹国大巫师的邂逅，她们的友谊走向十字路口，二人面临着截然不同的命运之路。这段奇幻冒险揭示了友谊、力量与自我发现的真谛。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.